David Shrigley's Schnauzer
“Comedy is profundity, it is poetry, the comic things are special."
Art Dogs is a weekly dispatch introducing the pets—dogs, yes!, but also cats, lizards, marmosets, and more—that were kept by our favorite artists. Subscribe to receive these weekly posts in your email inbox.
Art Dogs update: We’re moving to monthly!
Hi Art Dogs,
Happy March. I hope all is well in your part of the world.
I wanted to send a quick note that I’m going to switch the Art Dogs publishing cadence to monthly (with unpredictable bonus editions sprinkled in). The hope with this is to give myself more space to research and write one really treasured edition a month for y’all. Quality over quantity! Hopefully that’s ok?
Ok, onwards to David Shrigley!
Bailey
David Shrigley is an artist whose work spans writing, drawing, sculpture, music, and film. The bizarre humor he imbues into his pieces has attracted a cult following. He’s described his own art as “slightly satirical but also serious at the same time,” while critics have called him “the joker with a deadly punchline.”
In 2013, David Shrigley was nominated for the Turner Prize. His sculpture Really Good—a giant thumbs up—was installed on Trafalgar Square's Fourth plinth three years later and he was recently appointed Officer of the Order of the British Empire (OBE). David’s artwork has been shown at MoMA in New York, the Tate Modern in London, and other top galleries around the world. Hundreds—maybe thousands—of people have tattooed his pieces on their bodies.
David Shrigley was born in the U.K. in 1968. He spent his childhood in Leicestershire, where his dad was an electrical engineer and his mom a computer programmer. David knew early on that he wanted to be an artist, and recalled later that his more pragmatic parents, “were probably quite unhappy when I went to art school.”1 When working in his studio today, he’s said he is still “thinking about expressing myself the same way I did when I was five years old. I try to make the paintings in the same way, they’re very primitive.”2
David’s parents were devout Christians, but the young artist would renounce religion as a teenager. He maintains, however, that his art is influenced by his parent’s religiosity. “I think it's a positive thing. I think life would be really tedious if we were all like Richard Dawkins,” he once said. “I like my parents and I like that they have a moral framework. It makes as much sense as anything in this stupid life.”
David’s career started in Scotland, where he studied at the Glasgow School of Art. He handed out “morbidly funny little books filled with morbidly funny little characters” to friends at gallery openings and slowly built a following.3 By the 1990s, David Shrigley’s work could be found everywhere: “on tea towels, T-shirts, greetings cards, and in books, magazines, galleries, and chainstores. Bands [wanted] to use them on their album covers. Directors [wanted] them to accompany the opening credits of their films. Fans [wanted] them to be turned into tattoos.” By the 2010s, he was winning major awards.
Fortunately for dog lovers, the year before being nominated for the Turner Prize, David and his wife, Kim, got a mini Schnauzer puppy they named Inka. (You can watch a video of David walking Inka from 9 years ago here—starting at 1:00 minute in.)
The couple’s fateful decision to add Inka to their family has led to a slew of dog-inspired Shrigleys.
Let’s take a look at a few pieces for which Inka served as muse.
A few years ago, David, Kim, and Inka moved to Brighton, where they now live in a house 10 minutes from the beach. Though the couple doesn’t have children, the artist’s work remains childlike in spirit. In fact, as he’s aged David believes his work is becoming even more cheerful. “Maybe that says something about the time in my life, enjoying the simple pleasures of walking the dog on the beach,” he noted in an interview. “When I was 25, I wanted to watch noisy rock bands, go to New York City. Now I’m happy here with my dog.”
David has two studios in Brighton, one in a disused church and another in the basement of his Victorian townhouse. Inka has dog beds in the studio, where he has served as a companion to David’s prolific art making for 12 years now.
David starts each day in the studio by creating a list of things he plans to draw. He then draws the images on his list, and sometimes adds other elements, like text. In his words, “it just all comes out of my head like water pouring out of a jug.” The pieces he doesn’t like, he throws into the bin. (In the video above, you can see him tear up a picture of Inka.) The ones he does like, he keeps. It’s as simple as that, day after day. “The work is made in the editing,” he’s said. “I make literally hundreds of drawings, and then a much smaller percentage of those become the finished work.”
Here’s how he describes his creative process:
“I have a motto: ‘If you put the hours in, then the work makes itself.’ My work is created through the very process of making it. That’s just how I function. I adapt. I never have a plan.”4
“I know if I make enough stuff some of it will be all right. That's my whole strategy for making art anyway. I just fill the page, fill the space, fill the time I'm given.”5
David Shrigley has created a tremendous, joyful oeuvre by repeating this routine for the last 30 years. Below I’ve gathered some of the drawings and paintings of dogs that made it past his personal quality check. I hope you enjoy them as much as I do, and please let me know in the comments which is your favorite.
“Comedy is profundity, it is poetry, the comic things are special,” — David Shrigley
"People think art should be elitist and that appreciation of it amounts to some kind of esoteric knowledge. Whereas I think art can be anything, be made by anybody, and be appreciated by anybody…I don't think designing a greetings card or a T-shirt or a badge is a bad thing as long as it's a good card, a good T-shirt and a good badge. The problem comes when you start doing things that aren't very good. I try to avoid that."— David Shrigley
Bonus: “David Shrigley wants your balls”
David Shrigley’s latest gallery installation is inspired by Inka’s relationship with tennis balls.
https://www.theguardian.com/artanddesign/2022/oct/25/david-shrigley-interview-get-your-shit-together
https://www.sundaypost.com/fp/david-shrigley-interview/
https://www.scotsman.com/lifestyle/interview-david-shrigley-artist-1-475231
https://www.forbes.com/sites/yjeanmundelsalle/2020/09/20/according-to-british-artist-david-shrigley-his-artworks-make-themselves/?sh=6b8eeb4960a2
https://web.archive.org/web/20180618054426/https://www.scotsman.com/lifestyle/interview-david-shrigley-artist-1-475231
I’m in awe of your ability to put out such consistently wonderful work! In full support of transitioning to monthly, a “really good” idea 👍😉
I adore your Substack, and absolutely support your decision to go monthly. Thanks for putting in all the hours of research. It shows.